Bienvenido a ArgCompo.com! Por favor inicia sesión o registrate para aprovechar todas las funciones del foro. Haga Click aquí para crear una cuenta!
Traducir a Ingles Traducir a French Traducir a German Traducir a Italian Traducir a Dutch Traducir a Portuguese Traducir a Korean Traducir a Chinese Simplified Traducir a Japanese Traducir a Greek Traducir a Arabic Traducir a Russian

Ingresar con nombre de usuario, contraseña y duración de la sesión
Noticias y curiosidades: El sistema de puntos ha vuelto! entra a la sección Anuncios del sitio para enterarte!
 
  Inicio   Foro   REGLAS Ingresar Registrarse FAQ Donaciones  
Image-Line Harmor STANDALONE VSTi v1.0.2 - ASSiGN
Páginas: [1]
 
Autor Post: Image-Line Harmor STANDALONE VSTi v1.0.2 - ASSiGN  (Leído 517 veces) Bookmark and Share
laser
Uploader
ArgCompo Hero
*
*****


Puntos 59
Desconectado Desconectado

Mis otros posts

« : 18 de Oct de 2011, 08:44 »


Image-Line Harmor STANDALONE VSTi v1.0.2
Team ASSiGN  |  17 OCTOBER 2011 | 13.66 MB
Introducing a powerful additive / subtractive synthesizer, image synthesizer as well as audio resynthesizer, Harmor.

Additive / subtractive
Just like its little brother Harmless, Harmor is driven by a powerful additive synthesis engine. Its modules will look familiar to subtractive synthesizer enthusiasts: oscillators, filters & phasers, these are featured in Harmor but, because performed through additive synthesis, offer more freedom. You don't just select filter types, you draw them.

You wanted more, so also featured is the multipoint envelope editor of Sytrus fame, applied to over 40 parameters, in 2 independent parts. Through the same envelope/mappings, randomize any parameter or link it to key or velocity, and even fine-tune each unison voice independently.
Processing units can be rearranged in a semi-modular way. If you need one of the 2 filter units processed after the blur unit, that's no problem.

Image synthesis
Because it typically requires manipulating large amounts (up to 500 per voice) of partials over time, additive synthesis is hard to handle. No human can (or even wants to) edit 500 envelopes, but editing 2D images, that we can do easily. Get access to gain & pitch planes which you can tweak in the image editor of your choice, and import any bitmap, even if it wasn't designed to be turned into audio, it might still sound interesting.

Audio resynthesis
Being an additive synthesizer, Harmor can resynthesize audio files as well. The reproduction will be faithful, not a vague sound-alike as in many additive synthesizers. Resynthesis can of course be tweaked, providing time stretching, pitch shifting, or less conventional manipulations of partials.
And of course, the result of the analysis can still be turned into an image for further editing.

Efficient
Additive synthesis is generally very CPU-consuming, but not Harmor's engine. Its efficiency in fact quite comparable to the one of a subtractive synthesizer. Voices may be generating hundreds of harmonics in parallel and still not overload the CPU. Processing being multi-threaded, extra CPU cores come in handy.

Homepage

Download:
Páginas: [1]
 
Ir a:  



Este sitio no aloja ningún archivo en su servidor, los usurios sólo postean contenidos alojados en servidores externos. ArgCompo no se hace responsable por el contenido que aportan los usuarios. Si piensas que alguno de los archivos de este sitio viola tus derechos de autor, por favor póngase en contacto con nosotros haciendo click aqui.
This site does not host any files on the server, the users only post content hosted on external servers. ArgCompo is not responsible for the content contributed by the users. If you think that any of the files posted on this site violates your copyright, please contact us clicking here.
DMCA Information

Powered by SMF 1.1.16 | SMF © 2009-2011, Simple Machines LLC