DMG Audio • EQuality v1.08
"EQuality no es solo un equalizador: es una ventaja definitiva" Según sus desarolladores EQuality es el "
ecualizador definitivo ", con un algoritmo de operación genuino, creado sin algún tipo de influencia por parte de algún modelo de ecualizador hardware. Dispone de varias secciones dedicadas para el control de diferentes funciones, incluyendo además un sistema gráfico por colores para configurar cada una de las bandas de ecualización.
DMG Audio está distribuyendo EQuality ahora mismo a un precio de 75£/114$/84€... (La oferta es de un 25% de descuento y durara hasta el 20 de abril...Despues de esta fecha volvera a su precio habitual 100£/150$/112€...)
Funciona como plugin VST y AU. Pronto habrá una versión RTAS.
Características de EQuality• Uso de CPU "bajo"
• Varios modos de fase
• Modo Digital+ para mejor calidad
• Gráfica precisa
• Analizador de espectro integrado
• Medición K
• Modos de procesamiento M/S
• 6 bandas, 2 /shelf/bell y 4 bell/notch
• 2 filtros paramétricos completos con varios modos de operación
• Filtro pasa altas extra
• Función deshacer/rehacer
• 8 bancos de comparación A/B
• Opciones dedicadas por filtro
• Variación de frecuencias
• Función "autoescucha" para alcanzar frecuencias específicas
The EQuality storyI've been building EQs for nearly a decade. From Focusrite to Sonalksis, I've learned a lot about EQs; how they should sound, how they should work, and I'd always wanted to build an EQ from the ground up, incorporating everything I've learned.
When I first started telling people I was going to do this, the response was a mixture of encouragement, tempered against the question "why do we need another EQ?". I'm pleased to tell you that now, at the end of the development process, everyone who asked that question has their answer. It's an answer that's hard to explain in words, and much much easier to find by just using the plugin. You can click the installer and the "send demo" link, and find out right now.
Most people have quite a collection of EQs - some are models of hardware, some are workhorse EQs for surgical correction, or for guiding a track into a mix, some are for mastering. First off, EQuality is not a model of a specific piece of hardware; it's more ambitious than that. EQuality aims to be a great replacement for all your EQs. That's been the driving factor.
From the bottom up, EQuality sounds as good as an EQ can sound. By that, I mean the prototypes are as close to the consistent analogue shapes as can be achieved digitally, without spending extra CPU. When you want to spend extra CPU to close the deal, you can do that too, but so far not many people have reported finding occasions where the difference is perceptible. There's a technology behind that that I'm reluctant to describe in too much detail, nor to wrap up in marketing-speak.
From the top-down, EQuality is designed to allow you to make it work the way you want it to. At every stage, we've sought out any idiosyncrasies in the design, and replaced them with solutions that make sense, and with options to allow you to have things the way you need them.
In the middle, there's functionality and flexibility. A lot of it.
I've tried writing feature lists before, and they always get long and convoluted, so I'm going to write several disjoint lists to tell you what's been done to make EQuality the only EQ you'll ever need:
Sound• New technology for generating EQ coefficients that gets you an undistorted, clear analogue-matched top-end.
• Linear phase processing
• Analogue phase-matched processing
• Bells and notches, with a +/-36dB range, and a Q range from 0.1 to 50.
• Shelves which let you move the resonance above or below the curve!
• Filters at 6/12/18/24/30/36 db/octave, sweepable resonance.
• Extra hi-pass, so you can remove rumble on every channel without spending a band on it.
• M/S processing mode, allows you to process Mid, Side or the Stereo image.
• Adjustable gain-q interaction for 'musical' usage.
Workflow• Three different UI modes, to suit your taste
• Range control, to allow you to scale the gain of the EQ response with one control, both positively and negatively
• Frequency shift, to allow you to retune the response
• Large, configurable spectrum-analyser with readout
• Configurable VU, supporting K-metering and variable ballistics
• 8 banks of A/B
• Full preset management system
• Undo/redo
• Autolisten mode, for quick finding/adjustment of frequencies
• Flat button on UI for rapid reset
• Clip LED
Nuevas Caracteristicas de las actualizaciones:EQuality 1.01• Mono mode for AU
• Fix Digital+ HPF-filtering behaviour
• Fixed permissions for Default Bank on mac.
EQuality 1.02• Double-click to enable a band on the graph
• Adjust Q on the graph by pressing Alt/Right-button without having to restart a drag
• Right click on the enable button to switch a band's type
• Denormal prevention
• Fixed crazy mousewheel handling on faders.
EQuality 1.03This is a quick patch to 1.02 which inadvertently broke AU. No change on Windows.
EQuality v1.04• Fix Analogue Phase mode
• Fix mousewheel handling on Windows
• Fix A/B issue.
• Enlarged Setup window
• Mouse-hiding preference for dragging controls
• Inverted-Q preference for graph
• Mousewheel-Q on graph
EQuality v1.05v1.05 is a major stability upgrade, plus the most requested new features!!!• Fixed handling of filter slopes for automation
• Fixed automation issue with VST3
• Fixed fine-control for knobs (shift-drag)
• Fixed Autolisten to be immediate (without needing adjustment of knob)
• Fixed handling of denormals
• Fixed issues with Reaper/Samplitude on window resizing
• Supports VST 64bit processing
• Display correct positions for control-handle of bypassed bands
• Soft-switching band bypass
• Configurable autolisten gain
• Autolisten ignores Q adjustments pref
• Improvements for K-metering
EQuality - v1.06RTAS arrives!• RTAS
• Tweak to make high-pass filters nicer
A heads up on the (latency) modes for the RTAS - ProTools currently doesn't support dynamic adjustment of latency, so there are two versions of the RTAS plugin that you can instance. "EQuality" (regular) is for Digital, Digital+, MinPhase modes. "EQuality (latency)" is for Analogue/Linear phase modes. Sticking to this arrangement will work you around this limitation of ProTools AND keep your latency correct. Of course, if the latency is of secondary importance, just go with EQuality regular, and enjoy!!!
What is DMGAudio?DMGAudio is Dave Gamble, supported by designer Krzysztof Oktalski, and enriched with ideas from hundreds of engineers, producers and audio specialists who have contributed insight and suggestions towards the creation of the best audio software we can think of.
I've worked in Pro-Audio for my entire career (nearly a decade) for prestigious companies such as Focusrite, Sonalksis and Neyrinck.
Aki una lista de muchos de los proyectos en los que ha estado involucrado Dave Gamble:
• Focusrite Forte Suite
• Focusrite Liquid Channel
• Focusrite-Digidesign Command|8
• Focusrite Saffire Interface Range and Plugins
• Novation OSX USB-MIDI drivers
• Sonalksis FreeG
• Sonalksis Essentials Mk2 (517Mk2 EQ, 315Mk2 Comp, 719 Gate)
• Sonalksis FX for Toontrak Superior 2.0
• Sonalksis Mastering Suite
• TBK, TBK2, Sonalksis TBK3
• Yohng W1 Mac VST+AU
• TAC-Neyrinck VMon TDM
• Neyrinck Soundhide Stereo LtRt TDM
• Brainworx bx-solo, bx-control, bx-hybrid TDM versions
• Harmony Box.
With all this under my belt, EQuality is the most ambitious project I've undertaken yet. It's my intention to make EQuality the only EQ you'll ever need. I plan to do the same for all your audio tools.
With DMGAudio, I can build the products that I've always wanted to build, free from the constraints of a board of directors, and instead listening to what users actually need.
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Simplemente descomprimir y instalar... Y a disfutar de este magnifico EQualizador... 
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