Recomendadísimo, pero en inglés...

In the past, the quality or nature of sounds used in music was set by the technology of instrument design, and conventions about performance and musical 'expression'. In the 19th century, european composers became increasingly concerned with 'sonority', through development of new orchestration techniques, and new instruments. However, a systematic approach to sound itself had to wait for the invention of sound recording and the accurate computer analysis of sounds. Studios, and then computers, also provided powerful new tools for musicians to work directly with sound.
n the book On Sonic Art, Trevor Wishart discussed new musical possibilities offered by these tools, and developed notion of a sophisticated art of sound, or Sonic Art. In particular, put forward the ideas of sound landscape (handling sound images and representation using sound), and sound transformation as a unifying principle for composing, traditionally or with sounds.

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